J. A. MCCONNELL

POST-PROD ARTIST

❖ ❖ ❖

Five long years of experience in Aotearoa New Zealand’s media industry, now working in the United Kingdom.

Available for video-editing, animation, motion-graphics, and all your post-production needs.

Contacts

Email

THEJACKMCCONNELL@GMAIL.COM

Instagram

   @ZINE.TAR

LinkedIn

Featured Work

Jaunty Productions

 Animation Director

Green party NZ

    for MPs

Ted Danson – Adam Hattaway

Stop-motion Music Video

Green party NZ

Social Media

Meteorite Hunters Prod.

Lead Video Editor – 3yrs

The Other – Sam Bambery

Editor + Colour-grade / FX

The Bostrom Scenario

Feature Film = VFX Director

Meteorite Hunters Prod.

  3D work for Commercial

Organ Donor

 Stop Motion Art

No Bones

Collage Zine

x.    Full Credits

        5yrs of work!

cv.   Curriculum Vitae

xxi.  Home Page

Featured Work

Jaunty Productions

 Animation Director

Green party NZ

    for MPs

Ted Danson – Adam Hattaway

Stop-motion Music Video

Green party NZ

Social Media

Meteorite Hunters Prod.

Lead Video Editor – 3yrs

The Other – Sam Bambery

Editor + Colour-grade / FX

The Bostrom Scenario

Feature Film = VFX Director

Meteorite Hunters Prod.

  3D work for Commercial

Organ Donor

 Stop Motion Art

No Bones

Collage Zine

x.    Full Credits

        5yrs of work!

cv.   Curriculum Vitae

xxi.  Home Page

J. A. MCCONNELL

POST-PROD ARTIST

❖ ❖ ❖

Five long years of experience in Aotearoa New Zealand’s media industry, now working in the United Kingdom.

Available for video-editing, animation, motion-graphics, and all your post-production needs.

Contacts

Email

THEJACKMCCONNELL@GMAIL.COM

Instagram

   @ZINE.TAR

LinkedIn

theBOSTROMscenario

as VFX DIRECTOR

Visual effects work done for the award winning feature film The Bostrom Scenario (2024) directed by Richard Townsend.

Alice Wonder grieves for the murder of her brother but nobody knows he ever existed. Alice searches for answers, unraveling the story of a supernatural photographer and the film crew of a cursed documentary.

As Director of Visual Effects, my role was to develop impossible concepts and then deliver on those ideas. This involved multiple years of concept development, VFX shoot supervision, and both VFX compositing and full CGI work, under director Richard Townsend.

Software used:
After Effects, Blender, Unity